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Film Festival

SHOWBUZZDAILY Virtual Sundance Reviews: “Land,” “Together Together” & “Marvelous and the Black Hole”

  MARVELOUS AND THE BLACK HOLE:  Goodhearted YA comfort food.  Kate Tsang’s feature debut is about 13-year old Sammy (Miya Cech), who has become surly and rebellious toward her father Angus (Leonardo Nam) and siste...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Sundance Film Festival Reviews: “Blinded By The Light” & “Judy and Punch”

  BLINDED BY THE LIGHT (New Line/Warners):  Sundance was somewhat awash in feel-good movies this year, which is unusual but not unprecedented.  One of the most successful in previous years was 2002’s Bend It Like B...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Toronto Film Festival Reviews: “22 July” & “American Woman”

  22 JULY (Netflix – October 10):  So many terrible things have happened in the world since July 22, 2011 that at least in the US, few even remember the horrific events that occurred in Oslo, Norway that day, when a...
by Mitch Salem
 
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Film Festival

ShowbuzzDaily’s Complete 2018 Sundance Film Festival Reviews

There are certain inevitabilities at Sundance, apart from snow:  something will go wrong (after I waited on line for 2 hours on opening day, the box office discovered that it had lost one of my passes), and no matter how caref...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Toronto Film Festival Reviews: “Darkest Hour” & “Mudbound”

  DARKEST HOUR (Focus/Universal – Nov. 22):  A shameless piece of rabble-rousing Hollywood biography, directed by Joe Wright and written by Anthony McCarten, and served hot on a platter to Oscar voters.  The subjec...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Toronto Film Festival Reviews: “Professor Marston & The Wonder Women” & “In the Fade”

  PROFESSOR MARSTON AND THE WONDER WOMEN (Annapurna – Oct. 13):  In the hothouse of a film festival, movies that are unrelated inevitably begin to collide with each other in the viewer’s mind.  So it’s...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Toronto Film Festival Reviews: “Breathe” & “3 Billboards Outside Ebbing, Missouri”

  BREATHE (Bleecker Street – Oct 13):  BREATHE wasn’t the favored Triumph of the Human Spirit drama at Toronto this year; that title went to Stronger, with Jake Gyllanhaal as a survivor of the Boston Marathon ...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Toronto Film Festival Reviews: “Downsizing” & “The Shape of Water”

  DOWNSIZING (Paramount – Dec 22):  Alexander Payne’s latest film (written with his usual partner Jim Taylor) is a delight–and a bit of a mess.  On its face, Downsizing is a leap out of Payne and Taylor...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Toronto Film Festival Reviews: “mother!” & “Unicorn Store”

  mother! (Paramount – Sept 15):  It may come as a shock to people who have been following the marketing for Darren Aronofsky’s mother! to find out that it isn’t a horror movie at all.  It uses thriller...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Toronto Film Festival Reviews: “Disobedience” & “Roman J. Israel, Esq.”

  DISOBEDIENCE (no distrib):  Sebastian Lelio’s adaptation (with Rebecca Landiewicz) of Naomi Alderman’s novel is one of the surprises of the festival.  It would be perfectly reasonable for the idea of Rachel...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Toronto Film Festival Reviews: “The Children Act,” “Suburbicon” & “Chappaquiddick”

  THE CHILDREN ACT (no distrib):  It’s not intended as disparagement to Ian McEwan’s novel and screenplay adaptation, or to Richard Eyre’s film, that THE CHILDREN ACT feels much of the time like it could...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Toronto Film Festival Reviews: “On Chesil Beach” & “Loveless”

  ON CHESIL BEACH (no distrib):  Ian McEwan’s longish novella/shortish novel has been adapted by McEwan himself into a fluid and extremely English film, the first feature directed by stage director Dominic Cooke.  ...
by Mitch Salem
 
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