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Posts Tagged ‘Christmas box office’
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Behind the US/Worldwide Weekend Box Office – 12.26.2021

  A few notes:  this week’s newcomers opened along a range of dates, including Tuesday night, Wednesday, Friday night and Saturday, and those scheduling decisions had an affect on the totals below.  Also, the fact ...
by Mitch Salem
 
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EARLY FRIDAY BOX OFFICE: “Last Jedi” Rules Holiday, “Jumanji” Solid, “Pitch Perfect 3″” OK, “Greatest Showman,” “Downsizing” & “Father Figures” Flop

  A general note:  the last time December 22 fell on a Friday was in 2006, and a look at that year indicates what box office patterns may be between now and January 1.  We can expect most films to have a relatively mild ...
by Mitch Salem
 
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EARLY FRIDAY BOX OFFICE: “Aquaman” Swims Past “Mary Poppins,” “Bumblebee”

  Considering the spotty box office record of the DC movie franchise, it was something of a risk to place AQUAMAN (DC/Warners) at the center of the holiday market, but the bet is paying off, at least to an extent.  Accord...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 12.29.2019

  OPENINGS:  LITTLE WOMEN (Columbia/Sony) had a solid start with $16.5M over the 3-day weekend ($29M since Wednesday).  The next week will be particularly difficult to predict because of the midweek holiday, after which ...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 12.24.2023

  OPENINGS:  Christmas Day is one of the highest-grossing days of the year, and it will give a major bump to everything in the market.  Even with that boost, AQUAMAN & THE LOST KINGDOM (DC/Warners) was only able to m...
by Mitch Salem
 
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EARLY FRIDAY BOX OFFICE: “Aquaman” Swims Long-Distance, “Mary Poppins” Up, “Vice,” “Holmes & Watson” Soft

  The holiday box office has turned out to be AQUAMAN (DC/Warners), and then everything else.  Preliminary numbers at Deadline have its 3rd Friday at $16.8M, up 15% from Thursday and down 40% from last Friday, for a likel...
by Mitch Salem
 
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US/Worldwide Weekend Box Office Report – 12.27.2020

  OPENINGS:  WW84 (DC/Warners)–that’s the official title per the credits–had the biggest US opening of the pandemic era with $16.7M (a $7800 per-theatre average), much higher than the $9.7M for The Crood...
by Mitch Salem
 
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