Posts Tagged ‘broadway’
 

 

BROADWAY JOURNAL; “Catch Me If You Can”

>Steven Spielberg week on Broadway continues:  after War Horse, the director’s next film, we have CATCH ME IF YOU CAN, based on his 2002 comedy-drama (that film was written by Jeff Nathanson).   Spielberg&#...
by Mitch Salem
 

 
 

SHOWBUZZDAILY NY THEATRE JOURNAL: ‘Death of A Salesman”

> Although a great work of art is great forever, the relevance of a given piece to a current moment in time does tend to fluctuate.  It turns out that Arthur Miller’s DEATH OF A SALESMAN, written 63 years ago, is so ...
by Mitch Salem
 

 

 

SHOWBUZZDAILY BROADWAY JOURNAL: “Spider-Man: Turn Off the Dark”

> Haven’t all the jokes been made?  In the history of Broadway, there may never have been a show as relentlessly ridiculed as SPIDER-MAN:  TURN OFF THE DARK.  At this point, it may be that the only interest...
by Mitch Salem
 

 
 

COUNTING TO 10: The Tonys

> The Tony Awards aren’t quite like any other televised awards show.  They’re happily, unapologetically insular (and so are the ratings–thank god for CBS, where “young” audience is a relative ...
by Mitch Salem
 

 

 

SHOWBUZZDAILY NY THEATRE JOURNAL: “Venus In Fur”

> VENUS IN FUR exists, at this point in its Broadway life, as two overlapping but not identical entities:  it’s a deft new play by David Ives, but also, and more prominently, it’s become the Star-Is-Born vehicl...
by Mitch Salem
 

 
 

THE SKED REVIEW: THE TONY AWARDS

Even the acceptance speeches are classier on THE TONY AWARDS.  Tonight’s telecast featured a eloquent salute to “All those who say ‘Yes'” in the name of theatre from the lead producer of Best Play winne...
by Mitch Salem
 

 

 

SHOWBUZZDAILY BROADWAY REVIEW: “Nice Work If You Can Get It”

> The Producers may have been both the best and worst thing ever to happen to Matthew Broderick.  He started his career in the mid-1980s as a fairly smooth, smart-aleck teen mouthpiece for Neil Simon in Brighton Beach Memo...
by Mitch Salem
 

 
 

TORONTO FILM FESTIVAL REVIEW: “August: Osage County”

  The writer/producer/director John Wells made his reputation as the showrunner of ER, and he’s known as one of the most consistent, professional producers in the network business, with impeccable shows like The Wes...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Review: “The Wiz Live”

  THE WIZ LIVE was the smoothest, best-cast and best-sung yet of NBC’s annual Broadway musical pageants, although it had its own issues.  The network, and producers Neil Meron and Craig Zadan, made a demographic cho...
by Mitch Salem
 

 
 

SHOWBUZZDAILY NY THEATRE JOURNAL: “Seminar”

> There’s an inescapable irony in Theresa Rebeck’s play SEMINAR when the bilious novelist (Alan Rickman) who’s reluctantly teaching a group of aspiring young writers launches an attack on one of them by predic...
by Mitch Salem
 

 

 

BROADWAY JOURNAL: “Anything Goes”

> Once there was a time when Broadway musicals didn’t have to say anything about society, politics, art, literature, or really much of anything.  They were exercises in style, excuses for glamorous people to get up o...
by Mitch Salem
 

 
 

SHOWBUZZDAILY BROADWAY JOURNAL: “How To Succeed In Business Without Really Trying”

> Few things bring audiences as much joy as the sight of a well-known actor or actress revealing a side of their talent that’s never been seen before.  (It’s not just general audiences, either–those roles...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Toronto Film Festival Reviews: “The Humans,” “The Electrical Life of Louis Wain” & “The Wheel”

  THE HUMANS (A24/Showtime – Nov. 24):  There are typically two strategies for adapting a celebrated play about a small number of people in a limited space to the screen.  One is to “open it up,” adding...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “Les Miserables”

  LES MISERABLES – Worth A Ticket – One Day More Finally Arrives In light of some of the early reactions, perhaps the most important thing to note about LES MISERABLES the film is that it is, in fact, the f...
by Mitch Salem
 

 

 

THE SKED SERIES FINALE REVIEW: “Smash”

  Nothing ever came up roses for SMASH, and tonight, after two misbegotten NBC seasons, on a holiday weekend buried against reruns and NASCAR, the show’s Broadway curtain came down for the last time.  The saddest th...
by Mitch Salem