Posts Tagged ‘box office analysis’
 

 

Behind the US/Worldwide Weekend Box Office – 1.9.2022

  OPENINGS:  It’s likely that THE 355 (Universal) would have been challenged at the box office even in normal times, considering that its level of action spectacle is significantly lower than superhero movies can af...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office 1.2.2022

  HOLDOVERS:  Pandemic box office champion SPIDER-MAN: NO WAY HOME (Marvel/Columbia/Sony) had no trouble keeping its throne over New Year’s weekend, down 38% to $52.7M, with a running US total of $609.9M.  The Janu...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 12.26.2021

  A few notes:  this week’s newcomers opened along a range of dates, including Tuesday night, Wednesday, Friday night and Saturday, and those scheduling decisions had an affect on the totals below.  Also, the fact ...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 12.19.2021

  OPENINGS:  The spectacular success of SPIDER-MAN: NO WAY HOME (Marvel/Columbia/Sony) may have less to say about the box office overall than some would like to think.  No Way Home vaporized all pandemic-era records with...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 12.12.2021

  OPENINGS:  There’s no way to spin the $10.5M US opening of  Steven Spielberg’s WEST SIDE STORY (20th/Disney), and its even worse $4.4M start in 37 overseas territories (with $2.8M of that from France and th...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 11.28.2021

  OPENINGS:  After an October built on blockbusters that had been held off the market for more than a year, Thanksgiving weekend served as a reminder (to all except those paid to tout box office totals) that the theatrica...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 11.21.2021

  OPENINGS:  GHOSTBUSTERS: AFTERLIFE (Columbia/Sony) opened with $44M, which was $2M below the launch of the 2016 Ghostbusters, a result treated as such a disaster that the franchise had to be re-rebooted.  Afterlife, th...
by Mitch Salem
 

 
 

Behind the US/Worldwide Box Office – 11.14.2021

  OPENINGS:  CLIFFORD THE BIG RED DOG (Nickelodeon/Paramount, also on Paramount+) opened on Wednesday and earned $22M over 5 days, $16.4M of it over the weekend.  That’s somewhat above the $13.1M start for Paw Patr...
by Mitch Salem
 

 

 

Behind the Weekend US/Worldwide Box Office – 11.7.2021

  OPENINGS:  ETERNALS (Marvel/Disney) opened at the low end of expectations with $71M, not a surprise given its lousy reviews (48% on Rotten Tomatoes, unprecedented for the MCU) and blah audience exit polls.  Even so, th...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 10.31.2021

  OPENINGS:  Taking the spotlight from higher-profile arrivals, the anime title MY HERO ACADEMIA: WORLD HEROES’ MISSION (Funimation) was the weekend’s highest-grossing newcomer with $6.4M, better than the $5.9...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office 10.24.2021

  OPENINGS:  DUNE (Legendary/Warners, also on HBO Max) launched in US theaters at $40.1M, the highest start for a film also premiering on HBO Max.  (And while Warners had previously preserved Thursday night for theatrica...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 10.17.2021

  OPENINGS:  All the box office action is coming from franchises, with the latest being HALLOWEEN KILLS (Blumhouse/Universal, also on Peacock), which started at $50.4M.  The Peacock part of this story is probably being o...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 10.10.2021

  OPENINGS:  In the US, NO TIME TO DIE (UA/MGM) opened at $56M, at the low end of expectations–and “expectations” are usually already set low so that the press will report that a film has “overperf...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 10.3.2021

  OPENINGS:  The blockbusters are delivering even if other box office segments still aren’t, and that’s good news for pandemic-weary theater owners and studios.  In the US, VENOM: LET THERE BE CARNAGE (Columb...
by Mitch Salem
 

 

 

Behind The US/Worldwide Weekend Box Office – 9.26.2021

  OPENINGS:  DEAR EVAN HANSEN (Universal) clunked badly with a $7.5M debut, following on the heels of the underperforming In the Heights and underlining that while musicals can score at the box office, they remain a risky...
by Mitch Salem