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Film Festival

SHOWBUZZDAILY Toronto Film Festival Review: “The Lobster”

  The allegory is piled on so thickly in Yorgos Lanthimos’ THE LOBSTER that after a while, it’s not clear just what the underlying subject is supposed to be.  Lanthimos is a cult-favorite filmmaker (the cult m...
by Mitch Salem
 
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THE BIJOU @ TIFF: “Albert Nobbs”

> Rodrigo Garcia’s film ALBERT NOBBS (he shares auteurship with Glenn Close, who served as screenwriter with John Banville and Gabriella Prekop and as a producer as well as star) caters to what used to be called the James...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY Toronto Film Festival Review: “The Danish Girl”

  Transgender issues have been such hot-button topics in the news lately that people may not be prepared for how muted and delicate Tom Hooper’s THE DANISH GIRL is.  The film, which debuted at the Venice Film Festiv...
by Mitch Salem
 
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THE BIJOU @ TIFF: “Rampart”

> Oren Moverman’s first film as a director, The Messenger, was a beautifully contained, emotionally detailed story about soldiers assigned to deliver tragic news to the families of the deceased.  In his new film RAMP...
by Mitch Salem
 
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THE BIJOU REVIEW: “Melancholia” and Oscar Games





Our Review / 5 - Terrible
by Mitch Salem
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THE BIJOU @ TIFF: “Your Sister’s Sister”

> Lynn Shelton’s Humpday in 2009 was one of the most engaging pictures to come out of the mumblecore movement (“mumblecore,” for the uninitiated = ultra-low-budget, small scale film with dialogue mostly improv...
by Mitch Salem
 
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SHOWBUZZDAILY REVIEW: “Being Flynn”



Genre:

Our Review / 5 - Terrible
by Mitch Salem
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Articles

THE BIJOU @ TIFF: “The Woman In the Fifth”

> Pawel Pawlikowski is a filmmaker whose name deserves to be better known: his films Last Resort and My Summer of Love are small but beautifully realized stories of intricate human emotion. His new picture The Woman In the Fift...
by Mitch Salem
 
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“THE TREE OF LIFE” – God, Man & Terrence Malick

> Worth A Ticket; An often stupendous achievement that courts ridicule–and sometimes earns it. Terrence Malick’s THE TREE OF LIFE is at once the filmmaker’s most emotionally grounded and dizzyingly ambitious f...
by Mitch Salem
 
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THE BIJOU @ TIFF: “The Deep Blue Sea”

> If you were going to describe the films of Terence Davies (Distant Voices, Still Lives, The Long Day Closes, The House of Mirth) in one word, that word would not be “dynamic.”  Or “kinetic.” ...
by Mitch Salem
 
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Articles

ShowBuzzDaily SUMMER MOVIE DRAFT: May 27 Update

> Memorial Day weekend is finally here.  As Hangover Part II battles Kung Fu Panda 2 across North America and parts of the world, the real question is who will be ahead in the first annual ShowBuzzDaily Summer Movie Draft?...
by Mitch Metcalf
 
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THE BIJOU @ TIFF: Whit Stillman’s “Damsels In Distress”

> Whit Stillman has one of the most distinctive voices in American film, and his 13-year absence from the screen barely shows in his new comedy DAMSELS IN DISTRESS; it feels as though, had it been made immediately after The Las...
by Mitch Salem
 
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THE BIJOU @ TIFF: Fernando Meirelles’ “360”

> If Arthur Schnitzler had only been a member of the WGA in 1900, when he wrote the play La Ronde, and he’d had the benefit of the format rights guild members receive today, he and his descendants would be very rich indee...
by Mitch Salem
 
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THE SHOWBUZZDAILY REVIEW: “Melancholia”

    MELANCHOLIA – Watch It At Home – The Title Tells the Tale   Here’s a quick primer in Oscar rules and how studios can get around them.  In order for a film to be Oscar-eligible (other than i...
by Mitch Salem
 
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THE BIJOU @ TIFF: “Drive”

> DRIVE is a self-conscious genre movie, and those are tricky propositions.  On the one hand, you need to make your existential or other textual statement with all the artistry at your command; on the other, you still have...
by Mitch Salem
 
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