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THE SKED: CBS Fall Premiere Dates

  As befits the most traditional of the broadcast networks, CBS will launch almost all of its Fall 2012 premieres during Fall Premiere week, Sept. 24-30: Wed Sept 19 8PM:          SURVIVOR Mon Sept 24 8PM:    ...
by Mitch Salem
 
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The Sked: The Broadcast Season Final Results

With the end of the broadcast season comes a flurry of press releases from the broadcast networks.  FOX had the most to crow about as it won the entire season and the May sweep with Adults 18-49.  FOX’s headline: “...
by Mitch Metcalf
 
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The Sked: FALL RATINGS PREDICTIONS — MONDAY Night

The new fall schedules have been announced by the broadcast networks and the new series have been picked up, so it’s time to reveal the SHOWBUZZDAILY FALL RATINGS ESTIMATES for the upcoming television season.  Today we...
by Mitch Metcalf
 
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THE SKED: CBS Fall Schedule and Instant Analysis

  When you’re CBS, you don’t have to do much.   J   Let’s take a look, night by night: MONDAY:  CBS confounded expectations by not expanding its comedy presence on Thursdays.  So it was less i...
by Mitch Salem
 
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THE SKED’S SCHEDULE: CBS

  Mitch Metcalf and I, along with veteran network executive Ted Frank, have put together our own versions of the schedules (the real ones will be announced at the nework Upfronts in New York next week). We’ve already...
by Mitch Salem
 
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THE SKED’S MONDAY NETWORK SCORECARD – 5/7/12

    SMASHWatch is glad TV shows don’t close in Boston.  NBC:  Last night’s SMASH pulled off the trick of being both melodramatic (poisoning! illicit sex!) and remarkably dull, an anticlimactic way to hea...
by Mitch Salem
 
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THE SKED SEASON FINALE REVIEW: “2 Broke Girls”

      With the spring decline of New Girl‘s ratings, 2 BROKE GIRLS became the only remaining breakout comedy hit of the 2011/12 broadcast season.  The truth is, it’s still not all that good.  Tonigh...
by Mitch Salem
 
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THE SKED’S MONDAY NETWORK SCORECARD – 4/30/12

> SMASHWatch demands to know why “Bombshell” didn’t get any Tony nominations today.  NBC:  Last night’s SMASH encapsulated its season.  The episode began with high promise (a buoyant ̶...
by Mitch Salem
 
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The Sked: MONDAY RATINGS April 30

> CBS won the first Monday of the May Sweep — not so much because it had an exceptional night but because NBC Monday continues to trend down as The Voice wheezes to the finish line.  See how Monday night’s rati...
by Mitch Metcalf
 
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THE SKED PILOT + 1 REVIEW: “Don’t Trust the B— In Apt 23”

> A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have ...
by Mitch Salem
 
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THE SKED’S MONDAY NETWORK SCORECARD – 4/16/12

> SMASHWatch is glad it’s on NBC. NBC:  Last night SMASH slipped for the first time below the Mason-Dixon line of network TV ratings, to a 1.9 (and in each of last 3 weeks, the show has declined further when final nu...
by Mitch Salem
 
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The Sked: MONDAY RATINGS April 16

> NBC slid to a 3.0 rating with Adults 18-49 from 8-11 pm, still #1 for the night but the night is eroding steadily.  Pending updates in the official nationals, Two and a Half Men will be the #1 show last night with a 3.7 ...
by Mitch Metcalf
 
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UPDATED: THE SKED’S THURSDAY NETWORK SCORECARD

> This is what it’s come to:  on a Thursday night, repeats of CBS sitcoms beat new NBC sitcoms in every half-hour. NBC:  Last night’s episode of THE OFFICE set a new all-time low of 2.1 2.2 (in final numbe...
by Mitch Salem
 
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The Sked: THURSDAY RATINGS April 12

>American Idol rebounded last night, pushing FOX to another Thursday win.  But CBS was the real winner last night.  With mostly repeats, they earned a strong second place finish on the night with four comedies and a d...
by Mitch Metcalf
 
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The Sked: MONDAY RATINGS April 9

> NBC narrowly won Monday night with a weakening Voice still the highest-rated show on the night with young adults.  CBS was back with its regular schedule, all in originals.  While the 8:00-9:30 CBS schedule is on tr...
by Mitch Metcalf
 
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