To be sure, NBC’s THE GOOD PLACE hasn’t had much competition in the category of Most Imaginative Broadcast Sitcom this season.  (Really, there’s just The Last Man On Earth, which has been having a monotonous and somewhat off-putting Season 2.)  Still, while the half-hour form (you can’t really call many of the shows “comedies” […]

  MADAM SECRETARY quietly had one of the most interesting paths of recent broadcast network dramas.  Airing of all places on CBS, it was a frankly political series that began its run in 2014 and ended 5 years later, bridging two entirely different eras of real-life US politics.  The show’s own center-left policies on social […]

  When people say that an original film or television series has the feel of a novel, it’s usually meant as a high compliment.  (The Wire is probably the definitive example of this in television.)  But Sundance Channel’s first scripted series RECTIFY was a reminder that not all novels, however earnest and well-meant, are worth […]

  Even as other broadcast networks have been backing off their commitment to situation comedy, ABC seems to have possession of the magic formula.  Last season’s The Goldbergs became a genuine hit with a move to Wednesdays, Fresh Off the Boat richly deserved its renewal on Tuesdays, and even the now-canceled Cristela had its fans.  […]

  Despite an underwhelming season finale that favored sentiment over action until the closing seconds, THE LAST SHIP had a fairly smooth second voyage.  (The show, one of TNT’s highest-rated originals, has already been renewed for Season 3.)  Season 1 had ended, somewhat surprisingly, with the discovery of a cure for the virus that had […]

  “Go big or go home” isn’t a sentiment that’s usually associated with the second year of a successful TV series.  More often, it’s “Do the same thing again,” possibly appended with “… only bigger.”  But Sam Esmail, the creator of MR. ROBOT (and this season, also the director of all its episodes), knows no […]

  I’M DYING UP HERE certainly wasn’t the worst show of the summer, but it did make one wonder how it had made its way through the development process and onto Showtime’s air.  Series creator Dave Flebotte’s take on the nonfiction book by William Knoedelseder was almost defiantly uncommercial.  The book detailed the 1970s LA […]

  Barring unusual financial or political considerations, David E. Kelley’s MONDAY MORNINGS–which has had wretched ratings since its debut–aired its final episode on TNT with tonight’s technically season finale, so we won’t spend a lot of time poking around the body.  Returning to the show after its first month of episodes, hardly anything seemed to […]