> See A Word About Busted Pilots  Deadline reported today that ABC Studios has signed Jesse Martin to a talent hold deal that, although it could end up with him being cast in a different ABCS project, is largely in place so he’ll be available for a redeveloped version of Marc Cherry’s HALLELUJAH pilot, for […]

> See A Word About Busted Pilots Had it managed to become a full-fledged series, PARTNERS might have been a decent fit with ABC’s other female-oriented crime shows like Castle and Body of Proof, but based on the pilot, its only points of distinctiveness were probably too gimmicky and contrived to work.   The title […]

> See A Word About Busted Pilots If it’s a procedural, this must be CBS.  HAIL MARY was one of the pilots that had initial buzz around town, and it boasted a casting coup with Minnie Driver in the lead (her first network show after doing The Riches for FX), but it’s not hard to […]

> See A Word About Busted Pilots The word was that Stephen Gaghan’s pilot METRO was in serious consideration for NBC’s schedule until the very end (conventional wisdom has it that the final choice came down to Metro vs. Awake, and the latter made the cut).  That’s too bad:  the pilot is an impressive piece […]

> “Busted” pilots, for those who don’t know, are simply the ones not ordered by their commissioning networks to series.  We’re going to start taking a look at some of last year’s busted pilots here at THE SKED, so it’s worth saying a couple of things about them. First, not all busted pilots are terrible.  […]

> See A Word About Busted Pilots It’s entirely possible that BAD MOM wouldn’t have worked as a network TV series.  It represented an unusual attempt for a broadcast network (ABC) to step into the “edgy” sitcom territory that’s been the property of cable networks like HBO, Showtime and FX, and the pilot was clearly […]

> See A Word About Busted Pilots We round out our survey of some of the more notable busted pilots of the season with the distinctive POE, produced by Warner Bros Television for ABC and written by Chris Hollier (a former writer for Kyle XY).  Unfortunately, this pilot stands for the proposition that “distinctive” doesn’t […]

> This year’s WONDER WOMAN pilot did not fly under the radar.  Produced by Warner Bros Television for NBC, it was the subject of speculation before it was even placed with a network, scrutiny while it was being produced, and analysis after it had been rejected.  With the exception of Terra Nova and Smash, it […]