Even as ABC’s Agents of SHIELD suggests the limits of corporate/entertainment synergy, it’s been working out just fine for the same network’s ONCE UPON A TIME.  Whether the idea originated with the show’s network, studio or (as they claim) producers, melding Disney’s Frozen with the Once melenge of fairy tale, myth and pop culture […]

  This season, HAVEN delved deeply into its own mythology, with mixed results.  Haven‘s own situation is unclear, existentially speaking:  it received a super-sized 26-episode order from Syfy earlier this year, with 13 episodes to air in 2014 and the rest at some as-yet undetermined date next year that could end up being in the […]

  In the fall of its fifth season, THE WALKING DEAD has remained a ratings phenomenon like nothing else on television, and for much of this run of episodes, the always-uneven show deserved some of its wild success.  Showrunner Scott M. Gimple and overall Walking Dead honcho Robert Kirkman made unexpected pacing choices that kept […]

  THE BLACKLIST adequately completed the first act of its season’s mission with tonight’s fall finale–but the tough part is still to come.  NBC largely adopted a conservative schedule this season–a new sitcom after Tuesday’s The Voice and a couple more thrown away on Thursday, another fantasy thriller after Grimm, a third old-skewing procedural to […]

  For fans of his remarkable Battlestar Galactica reboot, it’s still strange to see series creator Ronald D. Moore switch to Starz’s much more old-fashioned OUTLANDER.  (Some of the abruptness of that switch was accidental:  Moore was attached to other, more BSG-like shows in the interim, but they weren’t picked up to series.)  Nevertheless, on […]

  SUITS is USA Network’s last remaining scripted hit, yet it finds itself in a bind:  with tonight’s midpoint of Season 4, it’s taken its original premise–Mike Ross (Patrick J. Adams) having been hired as a law firm associate by partner Harvey Specter (Gabriel Macht), even though Harvey knew that Mike had never attended law […]

  Almost every quality series, at one point or another, takes a wrong turn (remember the Friday Night Lights murder storyline?); the mark of one with staying power is whether it can bounce back.  THE FOSTERS was in danger of going over the edge at the end of its first season, piling one melodramatic plot […]

  What is it with endings?  Why do they rattle the brains of even the greatest of television’s creative minds?  Half-endings, too, which is what tonight’s finish to the first half of MAD MEN‘s 7th and final season was, the remaining 7 hours to sit on an AMC shelf until a year from now.  (That […]