The first season of BROADCHURCH was a phenomenon in the UK, one that prompted the ill-fated FOX US remake Gracepoint, and also, back in England, the somewhat controversial decision to renew the series beyond its seemingly self-contained initial season.  Against the odds, though, in Broadchurch Season 2, writer/creator Chris Chibnall wove a more inventively plotted, less monotonously paced […]

  FAMOUS IN LOVE:  Tuesday 9PM on Freeform (full season also available via online/VOD) – Change the Channel On the basis of its opening hour, Freeform’s new FAMOUS IN LOVE is pretty woeful stuff.  It’s the latest version of America’s contribution to the fairy tale template, the one that tells of the gleam and oh-so-naughty […]

  ABC’s AMERICAN CRIME is Serious and Important, but how good is it?  John Ridley’s series takes on the biggest topics–all of them, it seems–from race to class to sexual orientation to school violence and the loss of privacy in the internet age, and not even Oscar-bait films wear a mantle of unrelieved misery quite […]

> Previously On… THE WALKING DEAD:  Our erstwhile humans spent many, many episodes on a farm owned by cranky vet Hershel (Scott Wilson), while they searched for the missing Sophia (Madison Lintz).  There were lots of lengthy conversations about the meaning of life in a zombie-infected universe, and whether it was worth going on–let alone […]

  TAXI BROOKLYN:  Wednesday 10PM on NBC – Change the Channel NBC’s summer action comedy TAXI BROOKLYN has a remarkably full history for such a negligible project.  It started as a French movie hit in 1998, written and produced by Luc Besson, who’s now much better known here as the mastermind behind a slew of […]

  Under new showrunner John Wirth, the third season of HELL ON WHEELS was on the whole uneven, and tonight’s season finale unfortunately wasn’t a very promising way for the bubble show to end its year. Wirth’s biggest change to Hell was to largely abandon the show’s original premise, which had Cullen Bohannan (Anson Mount) […]

>   A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover in the off-season) give plenty of notes, both helpful and otherwise, […]

  RISE OF THE GUARDIANS:  Worth a Ticket – “The Avengers” as Holiday Fantasy RISE OF THE GUARDIANS doesn’t entirely look or feel like what we’ve come to expect from DreamWorks Animation.  Under Peter Ramsey’s direction (his first feature), the images have a burnished, almost pewter-tinted glow, a glint of long-forgotten memory, very different from […]