> Watch It At Home;  The thrills are so postmodern, they don’t seem to be happening in the theater. When the original Scream arrived in 1996, the slaughtering-the-teenagers genre was already old enough to drive; the first Friday the 13th had opened more than 16 years before.  The conventions of the form were as well-worn […]

DREDD, which kicked off the merrily disreputable Midnight Madness program at the Toronto Film Festival last night, isn’t much, but no one can say the director Pete Travis wasted his 3D budget. Things are constantly hovering, fluttering or–often–splattering in the foreground of the frame, and the images do a better job of suggesting visual depth […]

> Watch It At Home:  Scrupulously accurate, to a fault. In an era that so recently gave us “The Kennedys,” possibly the worst piece of pop culture history ever produced for American television, it seems downright rude to criticize Robert Redford’s new film THE CONSPIRATOR for sticking to the facts.  Accuracy and drama, however, are […]

  PARENTAL GUIDANCE – Not At Any Price – Stupefying “Family” Sitcom Too Little For the Big Screen This is said with all due respect to a pair of performers who have entertained millions for decades, but really, don’t celebrities ever look in the mirror?  If not, don’t they have people to look in the […]

  THE MAGNIFICENT 7 (Village Roadshow/MGM/Columbia/Sony – Sept 23):  Cinema survived in 1960 when Akira Kurosawa’s masterpiece The Seven Samurai was transformed into an American western, and it will survive this new adequate but uninspired remake of the remake.  Despite a script co-credited to True Detective‘s Nik Pizzolatto (with Richard Wenk), and a promising match-up […]

  THE GREAT GATSBY:  Watch It At Home – Moulin Gatsby Just for fun, let’s try to think of a worse match of filmmaker and material than Baz Luhrmann and F. Scott Fitzgerald’s THE GREAT GATSBY.  Judd Apatow’s Macbeth?  Woody Allen’s Lord of the Rings?  Michael Bay’s Remembrance of Things Past?  Jean-Luc Godard’s Shrek?  (Although […]

> Amid multiplying online reports, spearheaded by New York Magazine’s Vulture site, that Paramount’s SUPER 8 is tracking for a very soft opening this weekend at the box-office, the studio has decided to launch a “secret” (by which I mean “highly publicized“) pre-opening day:  the movie will now screen on Thursday in about 325 theaters […]

  HITCHCOCK:  Worth A Ticket (Opens November 23) – A Moderately Good Eve-ening The American Film Institute’s yearly festival opened tonight with the world premiere of the fittingly movie-centric HITCHCOCK.  In choosing the film, AFI celebrated another occasional Hollywood tradition:  the tendency to make two unrelated films on the same subject in a brief period […]