This was a Toronto Film Festival unlike any other, and not just because I “attended” it from the laptop in my house.  Toronto has become an important stop on the road to the Academy Awards, with 9 of the past 10 Best Picture winners premiering or screening there.  (Birdman was the exception.)  But no […]

  LUCY IN THE SKY (Fox Searchlight/Disney – October 4):  Lucy In the Sky may be Noah Hawley’s first feature film, but he’s already establishing himself as quite the overdirector.  Hawley’s X-Men off-shoot series Legion had a repertoire of shifting aspect ratios, surreal imagery and dislocations in sound, space and time that felt exciting and […]

  JOJO RABBIT (Fox Searchlight – October 4):  The discourse about Taika Waititi’s Jojo Rabbit has quickly become a debate between those who think its Nazi-era black comedy is authentically daring, and those who feel its purported audacity is a pretense covering a merely middlebrow sensibility.  (Note:  every person in the history of language who […]

  JUDY (Roadside – September 27):  Oscar bait in its fullest form, a showbiz celebrity biography built around the work of a performer making a comeback, requiring said performer to alter appearance and render services beyond mere acting.  Judy the film has already become the story of Renee Zellweger the Best Actress candidate, a story […]

  WAVES (A24 – November 1):  Trey Edward Shults’ third film (after the micro-budgeted indie Krisha and the horror movie They Come By Night) manages the remarkable feat of feeling both experimental and grounded, as propulsive as an episode of Euphoria without that show’s smug affectations.  There isn’t a lot of plot, and what there […]

  JOKER (Warners – October 4):  One’s perception of Todd Phillips’ JOKER may depend in part on the context in which one sees it.  In the 11 years since Christopher Nolan’s The Dark Knight, the MCU has taken over not just Hollywood’s financial heart but the very tone and definition of the comic-book genre.  The […]

  FORD VS. FERRARI (20th Century Fox/Disney – November 15):  If the Academy decides to award James Mangold’s Ford vs. Ferrari, which is certainly a possibility, it will be able to have some metaphorical cake and eat it too.  FvsF is both a first-rate example of Hollywood corporate entertainment and a story that questions what […]

  MARRIAGE STORY (Netflix – November 6 in theatres/December 6 streaming):  A film doesn’t have to be revolutionary to be great.  There may be no subjects more intensively depicted in movies and on television than marital break-ups and the miseries of divorce, yet Noah Baumbach’s Marriage Story is so fully realized and brilliantly performed that […]