CAT PERSON:  It seems to be necessary to establish one’s bona fides (or lack thereof) before commenting on Susanna Fogel’s Cat Person, so I’ll note that I’ve never read Kristen Roupenian’s celebrated New Yorker short story.  I’m given to understand, however, that the entire third act of Michelle Ashford’s adaptation is an add-on, which […]

  YOU HURT MY FEELINGS (A24):  The title of Nicole Holofcener’s newest film is a fair guide to its stakes.  Her projects (Walking & Talking, Lovely & Amazing, Friends With Money, Enough Said) have always been modest in scale, but this one in particular feels more like a collection of anecdotes than even a short […]

  EILEEN:  A dark tale of liberation, based on the novel by Ottessa Moshlegh (and adapted by Moshlegh with Luke Goebel).  Eileen (Thomasin McKenzie) is an anonymous employee at a boys’ prison in a confining, wintry Massachusetts town during the early 1960s.  Her job is depressing, and her home life is worse, stuck alone in […]

  MAGAZINE DREAMS:  The hype was accurate:  Jonathan Majors gives a titanic performance in Elijah Bynum’s Magazine Dreams.  Playing Killian, a roided-up amateur bodybuilder obsessed with achieving glory in that profession, Majors somehow manages to be both massive and delicate, prone to rage but also abjectly needy for acceptance or connection.  Majors never misjudges the […]

  RYE LANE (Searchlight/Disney – March 31):  Raine Allen Miller’s feature debut Rye Lane is a bubbly surprise, a quick-witted, fast-paced rom-com overflowing with charm.  The script by Nathan Bryon and Tom Melia wastes no time launching its premise, as Yas (Vivian Oparah) hears Dom (David Jonsson) weeping in a unisex toilet stall at a […]

  PAST LIVES (A24):  The playwright Celine Song makes an impressive feature writing/directing debut with the lovely, eloquent Past Lives.  The film is sort of the opposite of Sliding Doors and all of the multiversal entertainment we’re showered with these days.  Rather than allowing Nora (Greta Lee), Hae Sung (Teo Yoo) and Arthur (John Magaro) […]

  FLORA AND SON (Apple):  John Carney’s Irish dramedy was (with Fair Play) the commercial bonanza of Sundance, reportedly with a $20M pricetag.  It isn’t hard to see why the studio and streamer checkbooks came out, since Flora and Son was one of the festival’s unabashed crowd pleasers.  Like most of Carney’s work (Once, Sing […]

  In a generally depressed indie film market, Netflix shelled out a reported $20M at Sundance for Chloe Domont’s feature writing/directing debut FAIR PLAY.  The splurge made sense:  Fair Play has that combination of strong storytelling and hot-button ideas on its mind that should allow it to temporarily take over the internet when it launches […]