Stu Zicherman’s A.C.O.D. (written by Zicherman and Ben Karlin) suffers a bit from a familiar indie comedy malady:  the conflicting desires to tell meaningful and even dark stories, while at the same time getting a studio pick-up and selling some tickets.  The result, while funny at times and incisive at times, doesn’t successfully combine both. […]

  The writing team of David Wain and Michael Showalter (Wain directs) certainly knew that THEY CAME TOGETHER would be far from the first parody of romantic comedy movies to come along.  Date Movie opened back in 2008, Friends With Benefits, although it had other fish to fry, featured a dead-on film-within-the-film satire that starred […]

  AFTER THE WEDDING (no distrib):  The Danish 2006 After the Wedding, which won that year’s Best Foreign Film Oscar, was shot by director Suzanne Biers in the then-trendy Dogma style, heavy on pseudo-verite camerawork and lighting that imparted a sense of immediacy to the drama.  Bart Freundlich’s English-language remake dispenses with that style entirely.  […]

  MAYDAY:  The fantasy whatzit is a Sundance staple, and Mayday fits into that category.  (Paradise Hills was a recent example from a past festival.)  Ana (Grace Van Patten), short for Anastasia, is an ignored and abused waitress who finds herself swimming through a portal to what turns out to be an otherwise deserted island […]

  IN THE SUMMERS (no distrib):  The winner of the Jury Prize in the US Dramatic Competition is a somewhat prototypical Sundance drama.  Alessandra Lacorazza Samudio’s semi-autobiographical story depicts four summers over about a decade spent by Eve and Violeta, children of divorce (played by various actors, culminating with Sasha Calle and Lio Mehiel) with […]

> Or if the title were a Jeopardy answer, the question would be: what should writer/director Rodrigo Cortes have paid attention to, before he typed “The End” on his script Red Lights wouldn’t have been a festival movie even if it had been good. It’s no more than high-grade hokum (and not that high), and […]

  MAGIC MAGIC never really makes clear what it intends to be, but it’s awfully fascinating to watch. Written and directed by the prolific Sebastian Silva, who had two films at Sundance this year (the other was the well-received Crystal Fairy), and who is best known for his art-house success The Maid, Magic is set […]

  When push came to shove, a choice had to be made between The Birth of A Nation and “the farting corpse movie” (AKA Swiss Army Man), and your faithful narrator has to confess that he went with the former, so apologies for that.  There are other films, as well, that I would have liked […]