Ridley Scott’s THE MARTIAN is the jaunty sci-fi offspring of Apollo 13 and McGyver, Scott’s least self-important movie in years and not coincidentally his most enjoyable.  Drew Goddard’s expertly crafted script (based on the best-selling novel by Andy Weir) has a premise both simple and massively complex:  during a giant sandstorm on the surface […]

  DISOBEDIENCE (no distrib):  Sebastian Lelio’s adaptation (with Rebecca Landiewicz) of Naomi Alderman’s novel is one of the surprises of the festival.  It would be perfectly reasonable for the idea of Rachel McAdams as a Chassidic woman to bring back memories of Melanie Griffith in the camp classic A Stranger Among Us (and at least […]

  AFTER THE WEDDING (no distrib):  The Danish 2006 After the Wedding, which won that year’s Best Foreign Film Oscar, was shot by director Suzanne Biers in the then-trendy Dogma style, heavy on pseudo-verite camerawork and lighting that imparted a sense of immediacy to the drama.  Bart Freundlich’s English-language remake dispenses with that style entirely.  […]

  892 (no distrib):  John Boyega’s turbo-charged performance fuels this true story.  In 2017, when Brian Brown-Easley (Boyega) entered a Wells Fargo branch in a suburb of Atlanta and informed the teller that his backpack contained a bomb, he wasn’t trying to hold up the bank.  Rather, it was his desperate attempt to get enough […]

  WICKED LITTLE LETTERS (no distrib):  In The Lost Daughter, Olivia Colman and Jessie Buckley played the same character at different ages, which prevented them from sharing the screen.  That’s remedied in the fairly irresistible Wicked Little Letters, an English small-town comedy in the classic (if exceptionally foul-mouthed) mode.  Inspired by a true incident, it tells the […]

> TIFF’s Midnight Madness program is exactly what you think it is:  10 flat-out, unapologetic genre movies that premiere each night at midnight in front of a raucous crowd at the 1200-seat Ryerson Theatre.  In any given year, the Madness may include unexpected gems like last year’s Insidious and 2006’s Borat, interestingly weird pictures such […]

>Benh Zeitlin’s BEASTS OF THE SOUTHERN WILD is the kind of movie that makes people wince when they hear “independent film”. A tale, with magical realist overtones, set in the mostly African-American poverty of the Louisiana bayous, it’s narrated by its precocious child protagonist, known as Hushpuppy (Quvenzhane Wallis). Hushpuppy lives with her father Wink […]

  It isn’t often that one needs to invoke Intolerance to describe a current film, but CLOUD ATLAS demands it.  Like D.W. Griffith’s epic, it intercuts between stories taking place across hundreds of years of human experience–in this case, from the 19th to the 23rd centuries–in order to tell a larger, inspirational story about destiny and freedom.  Although […]