It’s almost unheard-of for a franchise to need 5 installments to hit its stride, but that was the case with 2011′s Fast Five.  After kicking around with its first, moderately successful quartet in various locations and featuring shifting combinations of characters (aside from a seconds-long cameo, neither Vin Diesel nor Paul Walker even appeared [...]

  STAR TREK: INTO DARKNESS:  Worth A Ticket – Another Satisfying Trip On the Enterprise J.J. Abrams and his Bad Robot cohorts, writers Roberto Orci and Alex Kurtzman, did a bang-up job rejuvenating the Star Trek franchise in 2009, and their first next journey where many, many have gone before, the new STAR TREK: INTO [...]

  THE GREAT GATSBY:  Watch It At Home – Moulin Gatsby Just for fun, let’s try to think of a worse match of filmmaker and material than Baz Luhrmann and F. Scott Fitzgerald’s THE GREAT GATSBY.  Judd Apatow’s Macbeth?  Woody Allen’s Lord of the Rings?  Michael Bay’s Remembrance of Things Past?  Jean-Luc Godard’s Shrek?  (Although [...]

  IRON MAN 3:  Watch It At Home – Offbeat But Uneven Tentpole The last thing on earth that Shane Black, the co-writer (with Drew Pearce) and director of IRON MAN THREE (the way the credits spell it) seems to have wanted to make was an Iron Man movie, and that makes this third–or third [...]

  PAIN AND GAIN:  Watch It At Home – Michael Bay On a Small Scale is Still Michael Bay There’s an almost meta strain that runs through Michael Bay’s PAIN AND GAIN, and you have to wonder, watching it, how much Bay was conscious of the fact that his customary musclebound, bloated, meatheaded style of [...]

  TO THE WONDER:  Malick Twirls and Twirls and Doesn’t Get Anywhere Terrence Malick’s last film The Tree of Life was nominated for the Academy Award for Best Picture; his new TO THE WONDER is receiving only a token theatrical release, with the bulk of its distribution through video-on-demand.  That’s a sign of the times, [...]

  OBLIVION:  Worth A Ticket – Dramatically Uneven, But Visually Spectacular OBLIVION is amazing to look at.  Even though it takes place in the same post-apocalyptic landscape where movie and TV audiences seem to spend most of their time these days, the director Joseph Kosinski and his cinematographer Claudio Miranda (he just won the Oscar [...]

  UPSTREAM COLOR:  Worth A Ticket – But Not If You Require Coherent Plotting I’d be lying if I said I really knew what the hell was going on in UPSTREAM COLOR, and yet the experience of watching it was surprisingly enjoyable, even gripping in an odd way.  Watching Shane Carruth’s film (he serves as [...]