> Not Even For Free Let’s give a little love to the devious people at Universal who cut the trailers.  The masterminds behind the red-band for YOUR HIGHNESS managed to find, in its 102 dull minutes, roughly 3 and a half that, when cut together with fiendish skill, suggested the movie had actual laughs.  Bow […]

> Today, 3 films from first-time directors: Caroline Bottaro’s marvelous QUEEN TO PLAY is, in a sense, a sports movie.  We have the out-of-nowhere player whose newly-discovered talent shakes up her whole life, the wise and somewhat eccentric mentor, even the climactic competition.  The game here, though, is chess, and the film (in French, with […]

> SOURCE CODE is this weekend’s major live-action opening, so here’s a look at some recent work by its star Jake Gyllenhaal and its director Duncan Jones. Gyllenhaal has had a curious Hollywood career thus far, and PRINCE OF PERSIA:  THE SANDS OF TIME, far from his most auspicious moment, was his first pre-Source Code […]

> Watch It At Home:  Petty larceny. Sometimes casting can be too good:  Keanu Reeves playing a guy who pretty much sleepwalks through his own life is practically redundant.  His whole style, from the very start of his career in the Bill and Ted pictures (more than 20 years ago!), has been to lag a […]

  ZOOKEEPER – Not Even For Free:  Isn’t There An ASPCA For Audiences?   Let’s put off talking about ZOOKEEPER–it’s terrible, for those with no time to spare–by mentioning the trailer for Adam Sandler’s upcoming Jack & Jill that’s attached to it (both movies are produced by Sandler’s production company Happy Madison and released by […]

    HAYWIRE:  Worth A Ticket – For the Gasp-Inducing Fight Scenes Alone   You might think that if a major, celebrated filmmaker were to take the extraordinary step of announcing, years in advance, that he had set the time for his retirement from movies, and that, even though he was only middle-aged, he would […]

YOUNG ADULT: Worth A Ticket – Theron + Oswalt = The Real Thing   Charlize Theron plays the hell out of her character Mavis Gary in the new YOUNG ADULT.  Theron has had a curious Hollywood career, with the usual big-budget flops (remember Aeon Flux?) mixed with a clearly wholehearted commitment to difficult, independent projects […]

> When the inevitable US remake of the French thriller SLEEPLESS NIGHT arrives, it’ll benefit from some sharper dialogue (assuming the subtitles in Toronto were fully translating the original), a bit more characterization and a slightly more varied tone.  But the framework already exists for a solid action hit. The picture begins as a variant […]