Michael Lewis’ book Moneyball was a marvelous read, but seemed like dim source material for a movie. Credit, then, is due to the creators of the film version–the various producers, screenwriters Steven Zailian and Aaron Sorkin, and director Bennett Miller–for finding a compelling narrative spine in a true-life story about the change in an […]

    THE THREE MUSKETEERS:  Not At Any Price – All For None and None For All   If the last couple of Pirates of the Caribbean movies and the current Sherlock Holmes franchise had a really nasty, dirty weekend together in Atlantic City, and 9 months later one of them (I’m not saying which) […]

    CAPTAIN AMERICA:  THE FIRST AVENGER – Worth A Ticket:  Marvel Goes Back To the Future   There’s a certain irony in the fact that, in this summer of Super 8 and its Spielberg rapture, the most successfully Spielbergian movie of the season is Marvel’s CAPTAIN AMERICA:  THE FIRST AVENGER.  Its connection to Steven […]

    MELANCHOLIA – Watch It At Home – The Title Tells the Tale   Here’s a quick primer in Oscar rules and how studios can get around them.  In order for a film to be Oscar-eligible (other than in a few special categories like Documentary and Foreign Film), it needs a theatrical release in […]

    OUR IDIOT BROTHER – Watch It At Home:  Sitcom On A Big Screen   Although it premiered at Sundance, OUR IDIOT BROTHER was an “independent film” only in a technical sense:  it was produced on a relatively low budget and didn’t have US distribution in place.  (Harvey Weinstein picked it up at the […]

  Pending the arrival of this week’s finale, Mike Newell’s 2005 HARRY POTTER AND THE GOBLET OF FIRE may be, on balance, the most satisfying of the series.  It combines first-rate moviemaking with one of J.K. Rowling’s most ingeniously constructed, emotionally rich stories–capped, of course, by the unveiling of Ralph Fiennes as the finally fully […]

In recent years, the Oscar for Best Foreign Language Film has come to stand for not much more than a fair level of craftsmanship and a comfortable pitch of moral predicament (The Secret In Their Eyes, Departures, and The Counterfeiters are the most recent undistinguished winners).  This year’s winner, Susanne Bier’s IN A BETTER WORLD, […]

    THE IDES OF MARCH:  Watch It At Home – An Excellent Play Becomes a Merely Good Movie   The Ides of March, one of the most eagerly awaited of this year’s festival crop, is more entertaining than it is good. Oddly both low-key and melodramatic, claptrap and high-minded drama, it represents a series […]