Pending the arrival of this week’s finale, Mike Newell’s 2005 HARRY POTTER AND THE GOBLET OF FIRE may be, on balance, the most satisfying of the series. It combines first-rate moviemaking with one of J.K. Rowling’s most ingeniously constructed, emotionally rich stories–capped, of course, by the unveiling of Ralph Fiennes as the finally fully […]
> See Also: 2011 HONORABLE MENTIONS 2011 WORST 10 As a movie year, 2011 felt, more than anything else, like a reflection of an art and a business in disarray. Economically, it was a down year and for the major studios, a frightening one: beyond the special case of the Harry Potter finale, virtually […]
RISE OF THE PLANET OF THE APES – Worth A Ticket: Simian Power Although it’s positioned as the last big adventure epic of the summer, for most of its length Rupert Wyatt’s RISE OF THE PLANET OF THE APES isn’t really an action movie. Somewhat surprisingly, while it establishes an alternative mythology […]
JACK AND JILL: Not At Any Price – 2 Adam Sandlers is 2 Too Many Does anyone really expect an Adam Sandler movie to be good anymore? Seriously, if you put aside his occasional relatively serious efforts (Funny People, Reign Over Me, Spanglish, Punch-Drunk Love, all boxoffice failures), and the occasional passable […]
> Worth A Ticket; This franchise has been working out. Over the past few years, DreamWorks Animation has been emerging a bit from its place as the jokey, insubstantial sidekick to Pixar’s superhero studio. How To Train Your Dragon was a thoroughly enjoyable surprise, and even though Megamind had its share of pop culture parody, […]
> The first substantial buy of the Toronto Film Festival (Shame had sold first, but for art film prices) turned out to be Salmon Fishing In the Yemen, a modestly engaging romantic comedy from Lasse Hallstrom. Hallstrom has made a career out of “modestly engaging,” following his early distinction with My Life As a Dog […]
Worth a ticket. Tom McCarthy has been carving a modest but very impressive niche for himself in the indie film universe. His films The Station Agent and The Visitor were both superbly written and performed, and he takes a small step toward the commercial mainstream with the new WIN WIN. Paul Giamatti stars […]
I DON’T KNOW HOW SHE DOES IT – Not Even For Free: You Don’t Want To Know The recent movie I DON’T KNOW HOW SHE DOES IT most resembles is The Nanny Diaries, which is odd because it was a flop for Harvey Weinstein and The Weinstein Company, and yet Weinstein’s studio […]