> Buzz has it that Jon Robin Baitz’s play OTHER DESERT CITIES is one of the frontrunners for this year’s Best Play Tony Award, and it’s easy to see why. (Let’s leave aside the fact that so few new plays open on Broadway these days, whatever manages to stay open for more than a couple […]
> For a new play, WAR HORSE has strong movie connections. The play is adapted for the stage by Nick Stafford from the 1982 novel by Michael Morpurgo, and that novel is also the basis of Steven Spielberg’s upcoming film, which will be in theatres for Christmas (the script for which is by Lee Hall […]
> There’s an inescapable irony in Theresa Rebeck’s play SEMINAR when the bilious novelist (Alan Rickman) who’s reluctantly teaching a group of aspiring young writers launches an attack on one of them by predicting that his “whorishness” will make him more suited for a life in Hollywood than one in the finer precincts of the […]
Even the acceptance speeches are classier on THE TONY AWARDS. Tonight’s telecast featured a eloquent salute to “All those who say ‘Yes’” in the name of theatre from the lead producer of Best Play winner Clybourne Park, and a little later on, an anecdote from Best Musical winner Once‘s producer incorporating Harold Clurman and Constantin […]
> VENUS IN FUR exists, at this point in its Broadway life, as two overlapping but not identical entities: it’s a deft new play by David Ives, but also, and more prominently, it’s become the Star-Is-Born vehicle for its lead actress, Nina Arianda, who’s currently giving about as dazzling a performance as you’re likely to […]
> Once there was a time when Broadway musicals didn’t have to say anything about society, politics, art, literature, or really much of anything. They were exercises in style, excuses for glamorous people to get up on stage in fancy costumes and sing tuneful, ingenious songs while dancing up a storm. That’s the world of […]