THE NEVERS:  Sunday 9PM on HBO The arrival of HBO’s THE NEVERS introduces a continuing series that’s also, in a sense, a limited one.  It was initially meant to be the latest original franchise from creator/auteur/showrunner Joss Whedon, the inventor of the Buffy The Vampire Slayer universe and director of the first two Avengers […]

  REBEL:  Thursday 10PM on ABC Krista Vernoff is one of network TV’s most prized showrunners.  She’s successfully guided Shonda Rhimes’s Grey’s Anatomy into a remarkable 17th season of success (which will be extended further if the necessary deals are made), and when she took over Station 19, that show became an effective one-two punch […]

  LAW & ORDER: ORGANIZED CRIME – Thursday 10PM on NBC   Long before Marvel had a Cinematic Universe, there was Law & Order.  Dick Wolf’s behemoth kicked off in 1990, and it was joined 9 years later by SVU.  At peak franchise in the mid-2000s, there were four Law & Orders on the air, […]

  CLARICE:  Thursday 10PM on CBS The Silence Of the Lambs wasn’t supposed to be Hannibal Lecter’s story.  Despite Anthony Hopkins’ Best Actor Oscar for the role, the character was a supporting player in both Thomas Harris’ 1988 novel and Jonathan Demme’s 1991 film.  The center of the tale was FBI agent Clarice Starling, but […]

This may be heresy, but the virtual Sundance Film Festival went so smoothly that if they offered it as an option in a hopefully pandemic-free 2022, I’d seriously consider passing up the freezing weather and the waits for delayed, packed shuttle buses to stay at home.  Sure, I’d miss the communal experience, but on the […]

  ON THE COUNT OF THREE:  There was a well-deserved Sundance screenwriting prize for Ari Katcher and Ryan Welch’s script for Jerrod Carmichael’s big-screen directing debut, which threads an almost impossible needle as a comedy about suicidal depression.  (In an unintentional way, the film is a companion piece to the festival’s How It Ends, also […]

  MAYDAY:  The fantasy whatzit is a Sundance staple, and Mayday fits into that category.  (Paradise Hills was a recent example from a past festival.)  Ana (Grace Van Patten), short for Anastasia, is an ignored and abused waitress who finds herself swimming through a portal to what turns out to be an otherwise deserted island […]

  THE WORLD TO COME (Bleecker Street – March 2):  Although the story is set in 1856, this is 2021, so it’s not hard to see where Mona Fastvold’s The World To Come is heading.  Ron Hansen and Jim Shepard’s script begins in the dead of winter, in the wilderness that was upstate New York […]