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Behind the US/Worldwide Weekend Box Office – 11.12.2023

  OPENINGS:  THE MARVELS (Marvel/Disney) fulfilled the ghastliest projections assigned to it, setting a new low for the MCU with a $47M US opening, and it was similarly dismal overseas, with $63.3M from 51 territories.  ...
by Mitch Salem
 
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Articles

Announcing Metcalf Entertainment Intelligence

  Anyone who’s been following the tumult in television, typified by the recently-concluded WGA strike and the ongoing-as-of-this-post SAG-AFTRA strike, knows that a key issue for the industry is that the streamers, w...
by Mitch Salem
 
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Articles

Behind the US/Worldwide Weekend Box Office – 11.5.2023

  OPENINGS:  This was supposed to be the kick-off weekend for the holiday movie season, but Dune 2 decamped for 2024 and the studios didn’t step in to replace it, so the biggest arrival of the week was the expansion...
by Mitch Salem
 
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Articles

Behind the US/Worldwide Weekend Box Office – 10.22.2023

  OPENINGS:  What are we to make of the $23M start for KILLERS OF THE FLOWER MOON (Paramount/Apple)?  As serious 3+hour historical epics go, while it’s a small fraction of Oppenheimer‘s $82.5M launch, it̵...
by Mitch Salem
 
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Articles

Behind the US/Worldwide Weekend Box Office – 10.15.2023

  OPENINGS:  Just about everything about the release of TAYLOR SWIFT: THE ERAS TOUR (Variance/AMC Theaters) has been unique, and that includes the fact that the theater chain, a first-time distributor, has announced the w...
by Mitch Salem
 
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Articles

Behind the US/Worldwide Weekend Box Office – 10.8.2023

  OPENINGS:  THE EXORCIST: BELIEVER (Blumhouse/Morgan Creek/Universal) was at the low end of expectations with $27.2M, and it was also below projections internationally with $17.9M in 52 markets.  It’s hard to tell...
by Mitch Salem
 
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Articles

Behind the US/Worldwide Weekend Box Office – 10.1.2023

  OPENINGS:  PAW PATROL:  THE MIGHTY MOVIE (Nickelodeon/Paramount) launched with $23M, above expectations and an impressive rise over the $13.1M start for the 2021 installment of the franchise.  It also has $23.1M overs...
by Mitch Salem
 
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Articles

Behind the US/Worldwide Weekend Box Office – 9.24.2023

  OPENINGS:  THE EXPEND4BLES (Lionsgate) had a disastrous start with $8.3M, about half of both expectations and the $15.9M opening of Expendables 3 in 2014.  Expend4bles may only total $20M in the US, and while the franc...
by Mitch Salem
 
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Film Festival

Toronto Film Festival Reviews: “The Burial,” “Wildcat” & “Poolman”

  THE BURIAL (MGM/Amazon – Oct. 13):  A yarn that’s also a true story.  Jeremiah O’Keefe (Tommy Lee Jones) was the owner of a family-run, regional Mississippi business that for decades had offered funer...
by Mitch Salem
 
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Film Festival

Toronto Film Festival Reviews: “American Fiction,” “The Critic” & “Mother, Couch”

  AMERICAN FICTION (Orion/MGM/Amazon – Nov. 17):  The Toronto People’s Choice Award has been something of a golden ticket to a Best Picture nomination over the years, and this year the prize went to Cord Jeff...
by Mitch Salem
 
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Film Festival

Toronto Film Festival Reviews: “Rustin,” “Memory” & “Fingernails”

  RUSTIN (Netflix – Nov. 17):  The director and producer George C. Wolfe is a towering figure in American theater, but his films to date have been wobbly at worst (A Night in Rodanthe, You’re Not You) and stur...
by Mitch Salem
 
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Film Festival

Toronto Film Festival Reviews: “The Boy and the Heron,” “Dumb Money” & “North Star”

  THE BOY AND THE HERON (GKids – Dec. 8):  Hiyao Miyazaki, a legend of animation (Spirited Away, My Neighbor Totoro, Princess Mononoke), had announced his retirement as a feature film director a decade ago, upon the...
by Mitch Salem
 
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Film Festival

Toronto Film Festival Reviews: “Hit Man,” “Daddio” & “Next Goal Wins”

  HIT MAN (no distrib):  A clever, funny, sexy entertainment from Richard Linklater and emerging star Glen Powell, who co-wrote the script with the director (both also produced), inspired by an already-wild true story.  ...
by Mitch Salem
 
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Film Festival

Toronto Film Festival Reviews: “His Three Daughters,” “Backspot” & “Lee”

  HIS THREE DAUGHTERS (no distrib):  The premise of Azazel Jacobs’ film is simple enough to be staged as a play:  as their father Vincent (Jay O. Sanders) lies dying in an unseen room of his Bronx apartment, Katie...
by Mitch Salem
 
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Film Festival

Toronto Film Festival Reviews: “Wicked Little Letters,” “Anatomy Of A Fall,” & “All The Light We Cannot See”

  WICKED LITTLE LETTERS (no distrib):  In The Lost Daughter, Olivia Colman and Jessie Buckley played the same character at different ages, which prevented them from sharing the screen.  That’s remedied in the fair...
by Mitch Salem
 
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