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July 28, 2019
 

Year to Date Box Office & Worldwide Studio Scorecard 7.28.2019

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Written by: Mitch Metcalf
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WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2019 film slates by studio.

BOX OFFICE. Looking at North American box office, 2019 is still -6% below last year’s comparable span and now +1% above this point the past four years ($6.232 billion).  Over the same period, Hollywood films have grossed over $16.6 billion worldwide when we add overseas box office for those films. That’s now +1% above the comparable worldwide box office last year (one point better than last week) and now -2% below 2017.

A reminder: we define the start of each year as the first Monday in January (except if that is New Year’s Day), and our year ends on the Sunday after New Year’s Day the following calendar year. The numbers in this chart contain box office grosses from each year’s films as well as grosses from prior year films that carried over into that year.

Box Office YEAR TO DATE
(billions) Weeks 1-29
North America Worldwide
2019 $6.268 $16.637 Jan 7-Jul 28
2018 $6.634 $16.506 Jan 8-Jul 29
2017 $6.189 $16.967 Jan 2-Jul 23
2016 $6.055 $15.333 Jan 4-Jul 24
2015 $6.049 $15.723 Jan 5-Jul 26

 

The past six weeks in North America is now basically even with the same period last year (nine points better than last week) and now +2% above the four-year average for the similar six-week period ($1.666 billion).

North American Box Office PAST SIX WEEKS
(billions)
2019 $1.694 since Jun 17
2018 $1.701 since Jun 18
2017 $1.558 since Jun 12
2016 $1.723 since Jun 13
2015 $1.683 since Jun 15

WORLDWIDE GROSSES BY FILM TITLE.  Here is an updated look at the 2019 film rankings for movies released in over 1,000 North American theaters in the 2019 calendar year.

PREVIOUS WORLDWIDE STUDIO SCORECARDS

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About the Author

Mitch Metcalf
MITCH METCALF has been tracking every US film release of over 500 screens (over 2300 movies and counting) since the storied weekend of May 20, 1994, when Maverick and Beverly Hills Cop 3 inspired countless aficionados to devote their lives to the art of cinema. Prior to that, he studied Politics and Economics at Princeton in order to prepare for his dream of working in television. He has been Head of West Coast Research at ABC, then moved to NBC in 2000 and became Head of Scheduling for 11 years.