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June 30, 2019
 

Year to Date Box Office & Worldwide Studio Scorecard 6.30.2019

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Written by: Mitch Metcalf
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WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2019 film slates by studio.

BOX OFFICE. Looking at North American box office, 2019 is still -9% below last year’s comparable span (same as the -9% last week) and still -1% below the average at this point the past four years ($5.168 billion).  Over the same period, Hollywood films have grossed almost $13.4 billion worldwide when we add overseas box office for those films. That’s still -5% below the comparable worldwide box office last year (same as -5% last week) and still -7% below 2017.

A reminder: we define the start of each year as the first Monday in January (except if that is New Year’s Day), and our year ends on the Sunday after New Year’s Day the following calendar year. The numbers in this chart contain box office grosses from each year’s films as well as grosses from prior year films that carried over into that year.

Box Office YEAR TO DATE
(billions) Weeks 1-25
North America Worldwide
2019 $5.092 $13.398 Jan 7-Jun 30
2018 $5.623 $14.080 Jan 8-Jul 1
2017 $5.111 $14.371 Jan 2-Jun 25
2016 $4.930 $12.926 Jan 4-Jun 26
2015 $5.008 $13.040 Jan 5-Jun 28

 

The past six weeks in North America is now -9% below the same period last year (2 points better than last week) and still +1% above the four-year average for the similar six-week period ($1.446 billion).

North American Box Office PAST SIX WEEKS
(billions)
2019 $1.456 since May 20
2018 $1.603 since May 21
2017 $1.279 since May 15
2016 $1.358 since May 16
2015 $1.544 since May 18

WORLDWIDE GROSSES BY FILM TITLE.  Here is an updated look at the 2019 film rankings for movies released in over 1,000 North American theaters in the 2019 calendar year.

PREVIOUS WORLDWIDE STUDIO SCORECARDS

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About the Author

Mitch Metcalf
MITCH METCALF has been tracking every US film release of over 500 screens (over 2300 movies and counting) since the storied weekend of May 20, 1994, when Maverick and Beverly Hills Cop 3 inspired countless aficionados to devote their lives to the art of cinema. Prior to that, he studied Politics and Economics at Princeton in order to prepare for his dream of working in television. He has been Head of West Coast Research at ABC, then moved to NBC in 2000 and became Head of Scheduling for 11 years.