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December 1, 2019

Year to Date Box Office & Worldwide Studio Scorecard 12.1.2019

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Written by: Mitch Metcalf
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WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2019 film slates by studio.

BOX OFFICE. Looking at North American box office, 2019 is now -5% below last year’s comparable span (2 points better than last week’s comparison) and now +1% above this point the past four years ($9.349 billion).  Over the same period, Hollywood films have grossed almost $24.8 billion worldwide when we add overseas box office for those films. That’s still -1% below the comparable worldwide box office last year and still -1% below 2017.

A reminder: we define the start of each year as the first Monday in January (except if that is New Year’s Day), and our year ends on the Sunday after New Year’s Day the following calendar year. The numbers in this chart contain box office grosses from each year’s films as well as grosses from prior year films that carried over into that year.

Box Office YEAR TO DATE
(billions) Weeks 1-47
North America Worldwide
2019 $9.410 $24.787 Jan 7-Dec 1
2018 $9.923 $24.940 Jan 8-Dec 2
2017 $9.145 $25.056 Jan 2-Nov 26
2016 $9.301 $23.591 Jan 4-Nov 27
2015 $9.026 $23.691 Jan 5-Nov 29

 

The past six weeks in North America are now -9% below the same period last year (13 points better than last week’s comparison) and now -2% below the four-year average for the similar six-week period ($1.146 billion).

North American Box Office PAST SIX WEEKS
(billions)
2019 $1.122 since Oct 21
2018 $1.229 since Oct 22
2017 $1.140 since Oct 16
2016 $1.158 since Oct 17
2015 $1.055 since Oct 19

WORLDWIDE GROSSES BY FILM TITLE.  Here is an updated look at the 2019 film rankings for movies released in over 1,000 North American theaters in the 2019 calendar year.

PREVIOUS WORLDWIDE STUDIO SCORECARDS

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About the Author

Mitch Metcalf
MITCH METCALF has been tracking every US film release of over 500 screens (over 2300 movies and counting) since the storied weekend of May 20, 1994, when Maverick and Beverly Hills Cop 3 inspired countless aficionados to devote their lives to the art of cinema. Prior to that, he studied Politics and Economics at Princeton in order to prepare for his dream of working in television. He has been Head of West Coast Research at ABC, then moved to NBC in 2000 and became Head of Scheduling for 11 years.




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