OPENINGS: KNIVES OUT (MRC/Lionsgate) scored a victory for non-IP, adult-oriented filmmaking with a strong $27M over the 3-day weekend ($41.7M since Wednesday), and although December box office can be tough to predict, with a plunge expected next weekend and then the arrival of multiple presumptive blockbusters, Knives Out seems to be on track for […]
OPENINGS: After several weeks of big-studio disappointments, FROZEN 2 (Disney) performed as the blockbuster it was expected to be, with $127M in the US. Comparisons to the first Frozen in 2013 are a bit dicey, because that opened wide on the Wednesday before Thanksgiving. It earned $93.5M over the 5-day weekend, with an ultimate […]
OPENINGS: FORD VS. FERRARI (20th/Disney) had a strong start with $31M, and will hope to extend its run through the holidays and into Oscar season based on its initially older-skewing audience and excellent reviews and exit polls. The only caution is that FvF was pricey for a non-IP project, with around $200M in production/marketing […]
OPENINGS: MIDWAY (AGC/Bona/Lionsgate) was mildly ahead of expectations with $17.5M in the US, and it should perform well on Veterans Day Monday. However, with around $150M in production and worldwide marketing costs, a $60M US total would leave it with a steep uphill climb to reach profitability. Early overseas results weren’t particularly promising at […]
OPENINGS: The entertainment business revolves these days around IP, but not all franchises are created equal, and there turned out to be a thunderous lack of interest in TERMINATOR: DARK FATE (Skydance/Tencent/20th/Disney/Paramount), which opened to just $29M in the US against production/marketing costs of $300M+. A big-budget action epic in that predicament normally hopes […]
OPENINGS: MALEFICENT: MISTRESS OF EVIL (Disney) had a weak $36M start in the US, down 48% from the $69.4 opening of the first Maleficent 3 years ago. If Mistress of Evil manages the same multiple as its predecessor, it could reach $125M in the US, but that may be a stretch, because Maleficent opened […]
OPENINGS: THE ADDAMS FAMILY (BRON/MGM) proved to be a still-fertile source of IP with a solid $30.3M US start, and the cartoon should benefit from closed schools on Columbus Day for a robust 4-day weekend total. Production costs were reportedly on the low end of animation, so a 3x multiple to $90M should go […]
Everything has broken right for JOKER (BRON/Village Roadshow/DC/Warners). Its combination of gold-standard IP with a gritty, violent, R-rated aesthetic has been largely accepted critically and earned it film festival kudos, and it’s had the benefit of controversy about its potential to stir up real-life trouble without (so far) any actual incidents that could drive […]