OPENINGS:  Stop me if you’ve heard this before:  an expensive action-adventure will need to overperform internationally in order to get past its red ink.  With Thor 2 opening in just a week, ENDER’S GAME (Summit/Lionsgate) had a very narrow window to make an impression, and its $9.9M Friday, probably meaning a weekend in the […]

  The combined box office for John Krasinski’s first two films as director, Brief Interviews With Hideous Men and The Hollars, was barely over $1M.  But overnight, Krasinski is a bankable Hollywood director thanks to A QUIET PLACE (Par), which according to preliminary numbers at Deadline took in $19M on opening day ($4.3M from Thursday […]

> There’s no way to slice or dice the numbers for COWBOYS AND ALIENS and make them any less sad.  The picture cost at least $165M (that’s the amount Universal will admit to), plus another $150M or so for worldwide marketing, and as Mitch Metcalf notes, it’s now on track to gross less than $100M […]

  OPENINGS:  DAWN OF THE PLANET OF THE APES (20th), with $27.7M on Friday and a likely $70M weekend, will probably have a significant US box office bump over its predecessor Rise ($176.8M, after a $54.8M opening), but it won’t necessarily be more profitable, since Dawn cost a reported $75M more to produce and probably […]

> FOOTLOOSE has the advantage of facing no new direct competition on Friday.  That, along with what should be fairly good word of mouth, could give it some legs in the marketplace.  THE THING, on the other hand, had a make-or-break weekend this week with PARANORMAL ACTIVITY 3 about to hit, and it’s not going […]

  THE UPSIDE (STX/Lantern) survived the wreckage of the Weinstein Company bankruptcy, and found an opening between the end of the holiday movie season and next week’s MLK weekend, poking through with what preliminary numbers at Deadline put at a Friday-winning $7M (including $1.1M from Thursday night).  That should propel it to a weekend win […]

  BLADE RUNNER 2049 (Alcon/Sony/Warners) was a high-risk bet, with roughly $300M in production and worldwide marketing wagered on an extremely serious 164-minute sequel to a 35-year old film that only became legendary after it was itself a sizable flop in theatres.  Reportedly, the bulk of that investment rested with Alcon, while Sony (international) and […]

  INFERNO (LStar/Columbia/Sony) was expected to earn less than The Da Vinci Code ($217.5M US/$540.7M overseas) and Angels & Demons ($133.4M/$352.6M), which is why Sony spent $75M less to produce the new film.  But that still leaves $200M in production/marketing costs, and Inferno is flopping too badly to have much chance of profit.  According to […]